Released: March 13th,
2015
Rated: PG
Distributor: Walt Disney Studios
Starring: Lily James, Richard Madden, Cate
Blanchett, Stellan Skarsgård, Holliday Grainger, Derek Jacobi, Helena Bonham
Carter
Directed by: Kenneth Branagh
Written by: Chris Weitz
Personal Bias Alert: was never into the older Disney princesses, likes most of the cast
7.9 of 10
It
seems that no one (including myself) was very optimistic about this live-action
adaptation. There were valid reasons for
this: a thin story, a shaky director, and
a perfectly good preexisting version, to name a few. I think lots of reviewers plodded into this
one pretty unhappy at the prospect of sitting through it, which makes it even
more remarkable that it was able to melt nearly every one of our hearts.
This Cinderella is a faithful adaptation of
Disney’s 1950 animated version, sans music, but with all the heart and a
delightfully sweet soul. In case you get
your Disney princesses confused like I do, this is the one that does forced
labor for her wicked stepmother and gets sent to a ball by her fairy godmother wearing
some very fetching glass slippers. Cinderella
in that film is a wet blanket who seemingly never makes a decision for herself
and ends up getting rescued because she’s so darn beautiful in that ball
gown. The gender politics were
troublesome even by 1950s standards, and this was one of the big things that
needed to be fixed if the film was going to be accepted by modern
audiences. But that’s easier said than
done, because a strong version of Cinderella would probably just flip the bird
and walk out the door as soon as her stepmother stuck her in that kitchen. Screenwriter Chris Weitz comes up with some
nice excuses for her to stay, so even though she’s still not playing a terribly
active role in her life, you don’t ever feel like walking onscreen and pushing
her out of that house.
Lily
James of Downton Abbey fame portrays
the classic character and nails the gentle soul that makes you fall squarely on
her side. Her role, like everyone
else’s, isn’t particularly deep, but it’s a tightrope walk between sweet and
saccharine, making the difficulty level easy to overlook. Richard Madden (Robb Stark from Game of Thrones) manages to navigate the
tightrope along with her as the Prince, and he has to pull off some pretty
awkward pants while doing it. That these
two do everything right, especially getting that their romance can’t have an
ounce of sexuality, helped keep the whole film in the kind of magical romance
that’s kept Cinderella selling for
all these years.
The
rest of the actors prance through the scenes, getting to play their one-note
characters with verve. None of them go
so far as to stick out, but director Kenneth Branagh didn’t get them all to
land on a consistent level of campy fun.
What Branagh does bring to the mix is a lush eye for art direction,
which makes the whole fairytale world pop.
How he managed to make this world so enhanced from our own, with bright
colors, big dresses, and vigorous plants populating the screen without it
seeming like overkill is almost magical.
And that ball gown. Watching Cinderella
dance in that gown is a special moment, even for those of us who don’t normally
care about such things.
This
version is significantly longer at 112 minutes than the animated feature, and
even with these additions the story still feels very light. They largely succeed at making that seem
charming, but the first few scenes of setup are noticeably clunky before it
settles into its frothy flow. Like all
of this film’s flaws, its quickly forgotten and is more a fault of the
preexisting story than this film’s execution.
The reality is that any adaptation of this story is going to have its
drawbacks, and it’s hard to imagine anyone getting it more right than Branagh
and company did here.
Other
Notes:
Ø This
film gets big props for not being overly cutesy.
Ø Some
of the special effects are lacking and look a bit rubbery. None of it is too bad until the very last
shot, which is dreadful.
Ø Why
does Cinderella have every kind of mother except her actual mother?
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