Monday, August 3, 2015

Mission: Impossible - Rogue Nation


A graphic promotional film poster

Released:  July 31st, 2015
Rated:  PG-13
Distributor:  Paramount Pictures
Starring:  Tom Cruise, Jeremy Renner, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Alec Baldwin
Directed by:  Christopher McQuarrie
Written by:  Christopher McQuarrie
Personal Bias Alert:  never seen a M:I movie, likes Tom Cruise

8 of 10





            Ah, Tom Cruise, the man who jumped onto a couch and (allegedly) killed his career.  It’s true that since that incident only 5 of his 11 films have grossed more than $100 million domestically and his public persona has been overcome by the odd actions many link to his religious beliefs, but the reality is that Cruise was unfairly judged for expressing exuberant love all those years ago.  Americans are now suspicious of their once-beloved movie star, but anyone willing to give his films a chance know that his magnetism hasn’t faded.  Now, Cruise has passed the 50-year mark, entering the later portion of a career that he has worked diligently to construct, and it’s a shame that he’s relegated to rebuilding instead of reaping from a diverse career.  Still, he’s got his action stalwart Mission:  Impossible series to hang from, and it’s only a matter of time before audiences realize that he brings the same level of enthusiasm and effort to all his other films as well.

            Rogue Nation, the fifth installment of the series, finds Cruise’s Ethan Hunt and his fellow IMF agents hunting a shadowy organization called the Syndicate.  The CIA doesn’t even buy that the group exists, and after forcing the IMF to disband and declaring Hunt a threat, the team must track down and stop the group without the aid of official backing.  As is wont to happen in this series, that means an endless parade of action spectacle, a series of setup and execution scenes that loosely build to a climax and have a great time getting there.  It’s not the most artful affair; in fact, most of its elements are straight genre stalwarts, but the pacing is excellent, moving swiftly between set pieces and explaining things just enough so that everyone’s motivations make sense.  This sucker is tailor-made for blockbuster season (despite its initial release date in December), and it’s one of the best to grace our screens this summer.

            The other great of the season, Mad Max:  Fury Road, shares many similarities with Rogue Nation, perhaps providing a template for commercially and critically successful action films for years to come.  Both films lean heavily on live stunts, meaning that what you see is what actually happened, and the palpable realism of these sequences is what left so many slack-jawed.  In case you didn’t already know, Tom Cruise was tied to a plane that actually took off with him outside, a stunt that few other actors (or human beings, for that matter) would try in the age of CGI.  Why would he risk it?  Because Cruise wants to entertain us, and he knows that audiences can still tell the difference between reality and fiction.  Putting real people in elaborately (and brilliantly) staged sequences allows the cameramen and the characters to react to the insanity happening around them, adding a frenzied liveliness that CGI work simply hasn’t been able to replicate.  Delivering these breathless moments in an efficient fashion is what so impresses people, and both of these films have the pacing and dedication that sets themselves apart.

            Cruise, of course, is a known asset to these sorts of films, carrying the banner for live stunts and old-school movie stardom at a time when no one else seems committed to either.  The big find of the film is his female costar, Rebecca Ferguson.  She struts through the film as a real-life badass, handling the action and the exposition with a charm that equals her scene-mate, even outshining him with her more nuanced quiet moments.  She is the true second lead of the film, with Simon Pegg coming in at a close third, and the trio is a delight to watch navigate their character’s twisty relationships.  The movie relies less on a clear plot and more on keeping you on your toes, and all the cast pulls off this light-but-serious balance that other similar series seem unable to locate.

            While never crossing into silly territory, Rogue Nation is very shallow, fading from your mind quickly after you walk out of the theater.  The generic plot and barely memorable villain is its downfall, but these are mere quibbles when you’re sitting in the theater.  What Rogue Nation gives you is a thoroughly American film filled with astounding violence, one that remembers that modern audiences don’t want to see their heroes ride off into the sunset.  We prefer to see them limp off to the next battle.

Other Notes:
Ø  Get ready for more of Rebecca Ferguson.  There’s no way she walks away from this and her upcoming film with Meryl Streep without getting stacks of scripts to choose from.
Ø  Ferguson is also the youngest main cast member at 31.  Take that young Hollywood.
Ø  If you like this, go back and watch last year’s Edge of Tomorrow.  You won’t be disappointed.

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